Build a 'Cleared & Ready' Catalog
Music supervisors need same-day clearance. Pre-clear every co-writer and sample so you can confirm a placement in one email. Maintain instrumental, TV mix, and stems for every track.
Twelve plays we run to get music placed and paid.
Music supervisors need same-day clearance. Pre-clear every co-writer and sample so you can confirm a placement in one email. Maintain instrumental, TV mix, and stems for every track.
Editors are the unsung heroes — they temp-track shows. A relationship with one editor on a hit show is worth 50 cold emails.
Trailer houses (Two Steps From Hell, Position Music) want big builds, drops, and risers. Cut 60-second trailer edits of your strongest songs.
When pitching to ad agencies, send 3 reference brands per track ('feels like Apple, Nike, Patagonia'). Saves them work, gets you remembered.
Sundance, SXSW, Tribeca filmmakers need affordable music. Free placement today = supervisor relationship for their next studio project.
Major A&Rs build cuts in batches. Send a curated 5-track folder every quarter — no more, no less. Consistency beats volume.
Sync libraries publish weekly briefs ('upbeat indie folk for a banking ad, 60 sec, female vocal'). Writing TO the brief gets you placed; writing for art gets you a Soundcloud.
Reality TV burns through 40+ cues per episode and pays. It's the easiest first credit and builds your supervisor rolodex.
AAA studios are locked. Indie devs on itch.io and Steam are hungry, often offer revenue share, and credits travel.
Sync income splits 50/50 between sync fee (master) and backend performance (publishing). Owning both doubles your check.
Pull statements from PRO, MLC, SoundExchange, and your distributor every quarter. Money quietly disappears in mismatched ISRCs.
Christian sync goes through ministries and church media teams as much as labels. Send tracks to worship pastors — they license for streamed services and conferences.